Interpreter of Winds

Review of Fairoz Ahmad’s Interpreter of Winds (Ethos Books, 2019)

Review

A pious canine argues with a camel, a windy night lasts for years, and a Javanese keris blade is wielded to murder a village witch in Fairoz Ahmad’s enchanting short story collection Interpreter of Winds. A quick and charming read, this book includes four magical tales across Islamic communities in the Indonesian and Malay world. Some take place in a stylized colonial past and some in the contemporary world, where current struggles crash against the fantastical.

The main story with the same title of the collection follows the quest of a talking dog, whose master is unconscious of the adventure his canine pet is about to have. The dog wants to be inducted into the Islamic faith as a true Muslim like his master and sets out on journey after meeting a cantankerousness camel named Ghati on the roads. The dog soon endears himself to Ghati as they go in search of the winds of all four points. Upon meeting one of the fabled winds, the wind requests an “appropriate gift” to assist the faithful canine in his search. Another tale is then woven within the first as the dog responds, “The only gift I could offer to you is the gift of stories.”

This becomes… [click here to continue to read full text]

*Review of Fairoz Ahmad’s Interpreter of Winds originally published in Asian Review of Books by T. F. Rhoden; photo image credit of for this re-post is via wallup.net. Unless otherwise stated, all posts on this website are under Creative Commons license.

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We, The Survivors

Review of Tash Aw’s We, The Survivors (Farrar, Straus and Giroux, 2019)

Review

Various degrees of financial precariousness and a vibrant—yet maddeningly hot and humid—Malaysia are the theme and setting of Tash Aw’s newest novel We, The Survivors. Through the main character Ah Hock, an ethnically Hokkien Chinese Malaysian, a tantalizing story of broken family life that crisscrosses both the megacity of Kuala Lumpur and the tropical provinces and crashes violently into the country’s often callous use of “dark-skinned and foreign” migrants from Bangladesh, Myanmar, and Nepal.

The novel is rich in despair. The author unforgivingly explores the peculiar benefits and vulnerabilities of being Chinese in the Malay-dominated Southeast Asian nation. Ah Hock is raised by a single mother and is shuttled back and forth from the provinces to the capital as they struggle to earn a living. Ah Hock’s mother sometimes works as a maid, sometimes in a restaurant, and later, when they purchase a small plot of land near the sea, as a vegetable farmer. But without luck or any social safety net, their poverty proves intractable when their land is flooded by the rising tides and the mothers becomes terminally ill. A young Ah Hock reflects:

… even at that age I knew, like everyone else, that it was hopeless. We were the wrong race, the wrong religion—who was going to give any help? Not the government, that’s for sure. We knew that for no-money Chinese people like us, there was no point in even trying.

Through an honest desire to better himself, Ah Hock’s situation… [click here to continue to read full text]

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*Review of Tash Aw’s (歐大旭) We, The Survivors originally published in Asian Review of Books by T. F. Rhoden; photo image credit of that yummy-looking Malaysian mooncake for this re-post is via the talented مانفی. Unless otherwise stated, all posts on this website are under Creative Commons license.

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Bangkok Wakes to Rain

Review of Pitchaya Sudbanthad’s Bangkok Wakes to Rain (Riverhead Books, 2019)

Review

Pitchaya Sudbanthad’s story of Bangkok is the most complete and engrossing tale of this megacity of fifteen million souls ever portrayed in a single publication. His debut novel Bangkok Wakes to Rain is as much an ode to the metropolis’s extremes as it is to the wide-ranging and singular characters that animate its streets and sois.

All of the characters of this novel connect with Bangkok, or what Bangkok once was, in a meaningful way. Some of Pitchaya’s uprooted individuals are displaced from a physical locality—others from traditions and histories that defined earlier versions of themselves and their communities. Those rituals they perform, some of them spiritual and some of them diurnal, are a way to connect themselves to a remembered past. Bangkok itself is an apt exemplar, as the town was born as a refuge after the Burmese sacked Ayutthaya in the 18th century. Much of early Bangkok was designed in remembrance of that former international trading port and royal house farther up the Chao Phraya River. Pitchaya artfully intertwines the fate of Bangkok—and what he later imagines as New Bangkok after a terrible flooding—with the main characters’ longing for things past.

The book contains many… [click here to continue to read full text]

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*Review of Bangkok Wakes to Rain originally published in Asian Review of Books by T. F. Rhoden; photo image credit for this re-post is via the talented Igor Bilic from Suzanne Nam‘s “The Truth about Thailand’s Rainy Season” in TripSavvy. Unless otherwise stated, all posts on this website are under Creative Commons license.

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Vessel: Lisa A. Nichols on Family and Galaxies Far Far Away

Review of Lisa A. Nichols’ Vessel (Emily Bestler Books/Atria, 2019)

Rich Characters

The character development is what really drew me in more than anything else for this delightful novel by Lisa A. Nichols. The book Vessel is a testament of how enjoyable a story can be when the author takes the time to flesh out the main characters.

This novel is about the sacrifices and excitement of intergalactic travel in a future not too distant from our own. The story follows the protagonist Acting Commander Catherine Wells of the Sagittarius starship and her misadventures as her mission through a fictionalized time-space wormhole—an Einstein-Rosen bridge dubbed “ERB Prime” and not far from Mar’s orbit—goes awry. The wormhole leads to one of the hypothesized habitable planets that orbit the TRAPPIST-1 star found in the constellation Aquarius. There, Catherine and her crew make first contact with what turns out to be a hostile species.

The Return Home

The main plot driver is not so much the mission but rather the challenges Catherine has when returning home to Earth. She has amnesia about much of her mission and only knows that she is the sole survivor of her crew. In between her struggles with the family she left behind for nine years and the mistrust of many of her colleagues at NASA, Catherine slowly begins to piece together what went wrong on the mission to TRAPPIST-1.

She hadn’t expected that so much about coming home would hurt this much. The pain of understanding the scope of her memory loss… The pain of returning without her crew. And the pain of just being.

First Encounter

A few aliens do make an appearance and I think they’re pretty cool! As Catherine’s memory comes back to her toward the end of the book, we learn that many of the geological formations on one of the semi-habitable planets were actually sentient all along.

They prove to be less than happy with mankind and its penchant for colonizing the unknown. These hive-mind creatures infect many of the crew, including Catherine. Her escape from their power once on Earth makes for a fun read.

Highly Recommended

I love having a bit of sci-fi in the mix and Vessel by Lisa A. Nichols proved to be a fun, quick read that I highly recommend!

*Reviewed by T. F. Rhoden. Visit the author Lisa A. Nichols’ website. Image-photo credit for the top of this post is from the talented eReSaW at DeviantArt. Unless otherwise stated, all posts on this website are under Creative Commons licence.

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The Blind Earthworm in the Labyrinth

Review of Veeraporn Nitiprapha’s The Blind Earthworm in the Labyrinth, translated by Kong Rithdee (River Books, 2019)

Review

Some authors capture a time and place effortlessly. They draw upon aspects of popular culture and spin them into a literary tale that is more powerful and longer-lasting than the milieu from which they sprang. Veeraporn Nitiprapha is such a writer. But as her work has only appeared in Thai, she has been beyond the reach of most of the world.

One cliché that the author has taken aim at recently for the Thai reading public is the Thai soap opera. For context, one of the most viewed television series in Thailand these days is Club Friday—a series in its tenth season, which follows characters as they swim their way through counter-currents of romance, infidelity, and Buddhist karma. Into this media landscape, Veeraporn has published her artful and lyrical novel The Blind Earthworm in the Labyrinth. This is the first book-length translation of Veeraporn’s fiction in English. The novel is a poetic and surrealistic reimagining of the Thai romance, where the main characters are lost between unrequited desires and fantastical dreams that are realer than their everyday lives.

The story follows two vivacious sisters, Chalika and Chareeya, as they… [click here to continue to read full text]

BlindEarthwormCoverOct2018 copy

*Review of The Blind Earthworm in the Labyrinth originally published in Asian Review of Books by T. F. Rhoden; photo image credit for this re-post is via the talented Nick Knight. Unless otherwise stated, all posts on this website are under Creative Commons license.

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