Moscow’s Red Square and Bangkok’s Imperial Queen’s Park wouldn’t seem to have much in common but for the main characters in Anatoly Kurchatkin’s enjoyable and fascinating novel Tsunami, translated by Arch Tait from the original Russian, there is much that unites these disparate locales.
Early in the story, the Russian protagonist Radislav and his female companion at that moment, a child of the Soviet-era aristocracy, are walking past one of Bangkok’s royal parks when they chance upon a group of people practicing a “ballet of a kind he had never seen before.” Radislav admits to his friend Nellie, “I don’t feel I’m in a faraway foreign country. I feel this is where I belong.” The response is quick:
“Of course you do,” Nellie replied briskly. “We are an imperial people. Citizens of the former Soviet Union. For us Asian faces are part of our family. The whole world is our home. I’m speaking from experience. It doesn’t matter where you travel, everywhere feels like home.”
Kurchatkin’s entertaining use of dialogue both keeps the story moving along and imbues an additional psychological depth to the musings of the Russian and Thai characters. The reader might be reminded of other great Russian writers who centered philosophical insights not in the actions or events of the plot, but in the mouths of the characters themselves. The more vocal the characters are, the more wisdom there is to be gleaned from their chatty interactions. Sometimes these discussions are on heavier topics, while other dialogue is more lighthearted.
For example, in one scene, Radislav and Nellie are being chaperoned by their Thai friend Tony, when Tony learns of a lovers’ spat between the two Russians:
“Ah, I expect Rad just doesn’t like the fact that I’m European,” Nellie responded.
Tony, taking his hands off the wheel, and turning to face her periodically, protested.
“No, Nellie, you are not European. I would say you are a Thai woman. You only look European, but inside you are Thai.”
“Well, in that case Rad doesn’t like the fact that I’m a Thai,” she persisted.
Tony’s unfailing smile showed signs of reproach.
“Rad, what you have done to Nellie?” he asked. “I think you have made her sad.”
Rad was left with no option but to respond.
“Nellie is a Russian woman, Tony, and a Russian woman is probably a mixture of European and Thai. It is a dangerous mixture.” He had wanted to say “explosive” but did not know the word in English.
The above quotations also highlight one of the leitmotifs of this story. The protagonist Radislav hints at… [click here to continue to read full text]
*Review of Tsuami by Anatoly Kurchatkin originally published in Asian Review of Books by T. F. Rhoden; photo image credit of Thai memorial stamps of 2014 Tsunami for this re-post goes to Mark Jochim and his A Stamp A Day blog. Unless otherwise stated, all posts on this website are under Creative Commons license.
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